Sanchez Adobe Was Once Pacifica’s “Crime Shack”

Image: (Watercolor by Coastside artist Galen Wolf or one of his students, probably one of his students.)

By June Morrall (I wrote this in 1998)

It’s hard to imagine that Pacifica, a Coastside community of neat neighborhoods, was once a dumping ground for victims of the criminal underworld.

The organized underworld of 1920s Prohibition-era San Francisco consisted of criminals who specialized in bootlegging, gambling, the “white slave trade,” and all the other vices that spilled onto next door neighbor Pacifica.

Isolated and often hidden under a net of fog, the two-story “Old Adobe,” originally the site of a mission outpost in present-day Pacifica, was better known to law enforcement officials as the sleazy “Crime Shack.”

The house was built with sun-dried bricks by Francisco Sanchez, the grantee to the Rancho San Pedro. Sanchez resided in the fine adobe between 1846 and 1862, but 50 years later, surly armed guards were posted around the dilapidated structure, the favorite rendezvous for criminals gathering in Pacifica’s remote Pedro Valley.

Rumor had that the toughest lawbreakers felt safe hiding in the “Crime Shack.” Today, the beautifully restored Sanchez Adobe on Linda Mar Blvd remains an authentic reminder, perhaps the only reminder, of Spanish-American days on the Coastside.

No one knew more about criminal activity at the Crime Shack than Colma Constable S.A. Landini. At the adobe in 1920, Landini led police officers in a shootout with a band of liquor smugglers. On another occasion, the constable arrested members of the Baciagalipi gang for robbing and murdering an elderly man. Landini also broke up a “white slave” vice ring, rescuing four young women from the sinister network.

One woman, a regular at the Crime Shack, told Constable Landini that she could identify San Francisco mob leader Charles Valento as the murderer of her husband. Valento also had been identified as the killer of legendary San Francisco Police Detective Miles Jackson.

A few months earlier, Detective Jackson had been the lead investigator of Dr. Galen Hickok’s “abortion mill,” housed in the famous “castle of mystery” high above Pacifica’s Salada Beach surf. The “castle,” originally built for Ocean Shore Railroad attorney Henry H. McCloskey, grandfather of former Congressman “Pete” McCloskey, still stands overlooking Pacifica’s busy Municipal Fishing Pier.

Three days after testifying for prosecutors in the Hickok trial, held under the dome of the Redwood City Courthouse, Detective Jackson was gunned down by gangster Charles Valento in a brutal shootout in Santa Rosa. Unable to elude the authorities, Valento was captured and jailed.

Revenge for Detective Jackson’s death came swiftly. In Wild West vigilante style, a party of 100 masked men in 15 automobiles burst into the Santa Rosa jail, seized Valento and two other gang members, hanging all three on a tree overlooking the Odd Fellows cemetery.

Constable Landini, who had assisted Jackson with the Hickok case, was deeply familiar with Pacifica’s terrain. He knew every hidden valley and cow path; he knew every bend and turn of twisty Pedro Mountain Road. These skills proved invaluable later when the constable led a manhunt in Pacifica for Colma priest, the Reverend Patrick E. Heslin, abducted from his parish house in the summer of 1921.

On food and horseback, Landini and his men fanned out from Colma, heading south toward Pedro Mountain Road. The manhunt was meticulous. After threading through the mass of scrub and thick underbrush high on the side of the mountain, the posse approached a “squalid shack” at the end of a narrow foot trail. Near the shack stood two horses, saddled, with a rifle holster hanging from each saddle. A search of the shack came up empty; the riders of the horses were nowhere to be found, nor was there a trace of Father Heslin.

Constable Landini picked up the scent of Father Heslin’s abductor while interviewing a Salada Beach restaurant owner. Landini had a description of the kidnapper, and the restaurateur confirmed seeing the man, his clothes, gritty with sand.

The clue led Landini to Father Heslin’s shallow grave located beneath a Salada Beach billboard advertising a pancake mix.

Charged with murder in the first degree was William A. Hightower, a cook and former manual laborer for the Ocean Shore Railroad. In a sensational trial held at the Redwood City courthouse, Hightower was found guilty and sentenced to life in prison. At the time of Hightower’s trial, there were unconfirmed reports that he had ties to the underworld of Sacramento.

Five years later, when the body of a young woman, wrapped in a sheet, was found in “O’Malley’s Gulch” near Salada Beach, police confirmed that the victim was the “Moth Girl,” part of San Francisco’s underworld. A police search of the “Moth Girl’s” apartment–where the last recording she played on her portable Victrola was the jazz favorite, “Charleston”–led investigators to believe she led a double life: one as a conscientious piano student, the other as a player in the city’s dangerous night life. Continue reading “Sanchez Adobe Was Once Pacifica’s “Crime Shack””

Some Questions for a Coastside Artist


Some questions for Coastside artist Linda Montalto Patterson, whose latest work is currently on display at Moon News Bookstore in Half Moon Bay.

Halfmoonbaymemories.com: Does your latest work have a name or theme?

Linda: The new series doesn’t have a formal name. I consider it a garden series. There are 7 paintings in all They are each comprised of two panels that hang next to one another. Three of the paintings are hanging separately but not as a unit due to the space in Moon News.

HMBM: What’s your day like?

Linda: My typical day starts with a look at the ocean, and Of course you can hear the waves pounding. Our house shakes with the waves . I often feel we are living on a boat and the views from the garden reinforce that feeling.

I can be way in the back of the property sitting under the trees, and look out, and there is the ocean, and I feel as though I am on a island of my making floating on the water.

My day continues with a stroll through the garden. This is an important time for me, a time of reflection and appraisal.

How is my garden doing? What changes need I make? What is blooming? What changes have occurred over the night?

I begin my day with either working in the garden or painting, or taking care of a wedding setup or doing a landscape design. I work with local architects and also individual clients and do landscape concepts for them.

HMBM: Do you love living in Miramar?

Linda: I do love living in Miramar . We have lived there since 1984.

HMBM: Miramar is a little known place—Even today the Coastside retains a little bit of its identity as a “remote place.” You got here when the word “secluded” meant something.

Linda: We moved to the Coastside in 78 . We lived in the “Old School House” on 6th and Le Conte in Montara, now known as Montara Gardens. We lived there when the post office was in the small building at the end of 6th street and mail was sent to us marked:

“Linda & Richard
Old School House Montara.”

It was a different world, yet such a short time ago. We lived in the old apartment on the first floor of the School House. We rented it sight unseen. We were recently back from Spain; Richard was working on a Master’s at San Francisco State, and we had a big German Shepherd dog.

We couldn’t find a place in the city that would allow us to rent with a dog. So on a very wet, rainy night we heard about a space at the Montara School House, and Richard got into the phone booth at the peanut & fish bait shop on HWY 92 and called Colleen Fulller . She said she didn’t care if we had a horse as long as we paid the rent. We made an agreement and the next week moved in.

HMBM: Did you have a studio in the School House?

Linda: The School House was enormous. We had the whole first floor at out disposal. i taught art
classes on the stage in the theatre room, and my art studio was what is now the “mirrored room.”

Wild horses from Montana were corralled in the fenced area which is now the garden space around the school house. I’d paint at night and the horses would stare into the lights of my studio with their mournful eyes.

HMBM: Then you moved to Miramar?

Linda: In 84 we moved to Miramar and I loved the change. I used to ride my bike from Montara to HMB everyday to work for the local Ophthalmologist Melto Goumas.

I’d pass through Miramar and delight in the sunshine, and then work my way back into the fog of Montara each night.

Miramar sits in what is considered the sun belt of the coast. I often see the fog bank shrouding Princeton Point to the north and the “Ritz” to the south, while we are in the sun.

I worked for Goumas for 10 years and became an optician, and medical assistant. I enjoyed it. We did minor surgery in office and I loved assisting.

HMBM: What makes you the happiest?

Linda: Probably working in my art studio; the French doors are wide open, and I can take in all of the garden. I can hear the ocean, and the occasional sound of Michael Powers working on one of his stone creations, and I’m in the “creative zone” of the neighborhood and I feel all is well with the world.

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The “Scoop” From Deb Wong at Spring Mountain Gallery in HMB

Hi June,


I added what you sent me, but haven’t found much more to add to http://www.ShorelineStation.com, except some photos, and a little extra history. Linda Goetz said that she would get back to me if she remembers anything.

Yes, that is Father Miles Riley*** of the S.F. Archdiocese, now retired, The photo below was taken 2 years ago at a party – he was a very good singer! ”

(Photo: Miles Riley and Deb Wong singing Christmas carols.)

Our friend Bud Andre knew him, when Bud was a practicing priest. I did the website for Bud’s “Sandpiper Ceremonies,” though he is now on hiatus.

Meanwhile, Michael & I are working on a project for Franco, of a 1991 map of “Half Moon Bay Businesses” [created by Arlon Gilliland, owner of the Bird Nest Gallery in Oregon] that is now hanging in Cunhas (you see it by the stairwell). Michael photographed it, and I added a few things to it, including drawings of Franco’s 3 businesses: Riaces, Cunhas Market, and San Benito House.

I also added Spring Mountain Gallery, for good measure.

We are ordering 1,000 to start. It will be “Courtesy of Cunhas, Riace, and San Benito House”, though I believe that Franco wants to sell them, not give them away. I phoned the artist of the map, who now lives in Oregon, and who apparently used to draw those maps regularly for Half Moon Bay, and I got his permission to change/duplicate them. Shoreline Station is in there, with a few of the businesses that paid to be included. Michael joked to Bev Cunha that they were both too cheap to be included back then, and she said: “Yep, you’re right!”

I guess the Shoreline Station site is not that interesting to most….its history isn’t even that old. Many folks STILL complain that they didn’t know where Spring Mountain Gallery was located!

Most of our business is by word of mouth, or repeat customers, which isn’t bad. Our buddy Lionel Emde (of Periwinkle Framing in Pacifica – I did his website, too) says that we should have our customers write good reviews in “City Search”, which has quadrupled his business. But Michael doesn’t feel comfortable asking people to do that. I got one lady to write one, so at least there’s one!

We had felt as though we were in a black hole, or had a cloaking device installed over our building for many years. We were hoping that Franco’s business, Riace, might help bring some in, and it has, to a slight degree. Or that big bear out front. I wanted to put a huge hat on him/her, but it would involve a lot of manuvering,a tall ladder, and the hat would have to be glued on, with the winds we get.

There is even that interactive sculpure (that I have been putting t-shirts on, which say: “Half Moon Bay, CA.” on them). To little avail. Perhaps it’s the economy, which has affected many businesses, local & otherwise. Maybe the poster we are working on might clue some in…or not…oh well.

At least everyone knows where Lemos Farm and Pony Ranch is!!!!

In any event, I hope that you are doing well, and enjoying the warm weather!

Take care,
Deb

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***Miles Riley: When I worked at Time in San Francisco in the early 1980s, I once called Father Riley at the Archidiocese for a comment on a story. I don’t remember the topic but I remember him as a gracious man. Isn’t it funny–these people who come into our lives peripherally, and then, again, years later -or people you didn’t know your friends knew…this is getting too complicated but it makes me believe we are moving around in a smaller space than we think.

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Do you love cats? Click on Deb Wong’s link here