“Coastland” by Galen Wolf (Part IV) 1885

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“You know the man speaks the truth. Across the Peninsula, a few dairies lie scattered from Colma to Redwood. Although it is a county seat, Redwood is just emerging from the prevailing marshland.

“Here on the coast is vigorous, bustling life. Two stage lines serve the coastland and the traffic is phenomenal. Sometimes three steam schooners are waiting their turn at Amesport.

“Wheat, potatoes, cattle, hay, flax and timber pour out to nourish the new growth of San Francisco.

“The Steeles, Moores and McCormacks farm all the way to the Santa Cru county line. Doble, Dowell, John Mein, Deany, Schult and Martin are at Lobitos, at Tunitas and Purissima. The latter boasts a hotel, a store, a dance hall, a saloon, a school and a church. Fishermen from San Francisco know these streams well.

“Irish Ridge is populated. Rings, Garrigans, Casey and O’Briens have built there, high above the sea.

“Halfmoon or Spanishtown, throbs with life. Its stories, schools, churches and saloons are all patronized as occasion calls.

“Bolts of cloth are piled to the ceiling in Levy’s store and Boitano’s. The barns bulge with grain. Team after team crawls up and down Main Street.

“Mary McCormack and Miss Pringle and Clara Mullen have their schools.

“And on Sunday, the workaday community quiets to a hush. The church bells call their singing cadence. Almost to a man, woman and child, the town turns out.

“As you stand on the porch of the Schulyer House, you can see across the grainfields the mouth of Higgins Canyon. Sanor and Tom and Wm. Johnsonn farm theere, and Clement Nash. The hill of Rudolpho Miramontes is a waving backdrop of grain beyond the town streets.

“A six horse team strains at the tugs as it starts a load of lumber. It hass three miles to go to the long pier at Amesport.

“There will be more of these teams soon. Charlie Borden and Rufus Hatch are cutting in the Purissima. Hughes at Tunitas, Walker, Bloomquist and a score of others in the San Gregorio, the Pomponio, the Pescadero. The walls of San Francisco are being created.

“Behind you the election talk simmers. Now local pride has its hour. A man tells of the running of Andy Younker from San Francisco with a fifty pound sack of flour on his back. He made Amesport before dark and won his wager.

“You hear of Louis Cardoa who carries two sacks of grains at a time to the boats and earns two men’s wages.

“You hear of Wm. Griffith. He bought the first lot in 1862. It seems he has again won the turkey shoot with frontier markmanship.

“And then, visual focus of their pride, a horseman rides by. He rides simply, without ostentation. But here is drama living.

….To be continued…

Photo: Main Street, Half Moon Bay

Boo:Didn’t Make The Cut

“The Emperor’s Children” by Claire Messud, which I’m still reading and can’t tell you about–except that I love it so far–didn’t make the cut from the longlist to the shortlist of the British Man Booker Award–which is akin to the American Academy Awards–well, sort of. My impression is that the judges just don’t like America–the author Claire Messud lives in Massachusetts. You have to have ties to England and/or the old British colonies to be in the running. I’m telling you, this is a great book.

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“Coastland” by Galen Wolf (Part III) 1885

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“And now the town. A tall white church, new and imposing. A store, and a store, and a store. Joe McCarthy’s, Angelo and Joe Boitano’s emporium. The headquarters of the Levy brothers; Ferdinand, Joe, Armand and Adrian, from Alsace Lorraine. And their wives from a German merchant port. They had come to serve and to prosper and they are doing both well.

“On the right, on Kelly Avenue is Nelson’s livery stable. Harry the post carrier, is still to be born. The postmaster is Fred Valedejo. Here is Quinlan’s blacksmith shop. There, Charlie Gonzales’ forge, showering sparks and tinkling with hammer blows.

“Now neither rawles nor the horses are too tired for the expected dramatic finale. Bob brings the team to a spanking trot. With a roar of wheels, a grind of brakes and trampling hooves, the stage comes to a hard down stop in front of the Schuyler House.

“The Schuyler House looks down from four impressive stories and balconies. A few years before it had been sold to a corporation of ten, at a thousand dollars a share. So now in the bar is young Andy Gilchrist. And in charge of the kitchen is young Kate Burke.

“They are to have many years of marriage and hotel keeping before them. But the years of the foredoomed Schuyler House are to be few. On April 26, 1894, it is to vanish in an avalanche of flame and thundering fall of roof and floors. Charlie Walker’s drug store is to be burned too, and the whole town threatened. Half Moon will fight back desperately with buckets and will never forget that day.

“You clamber a bit stiffly from the stage. The strap bound Wells Fargo box plummets to the board sidewalk. Not always has it survived the journey. The stage is not the only institution of the West to travel that lonely road. There are highwaymen too.

“On the hotel veranda you see the Higgins boys. Also McGovern, Clement Nash and Wm. Savage. You see splendid Dr. Church, and towering alongside him Johnny, all eight feet and one inch of him, the tallest man in America.

“The passengers separate to the bar, the dining room, to their homes. New passengers arrived; John Mein for Lobitas, some for Irish Ridge and for Doble’s ranch at Purissima. Three drummers are going through to Mc Cormack’s new hotel, the Pescadero House, and one to the Swanton House.

“Here they will take the Sears stage through the heavy timber to La Honda. Up and down the terrific Upenuf dusty grade to the Trippes store at Woodside and thence to Redwood City.

“It is a jolting, bone-weary job the drummers have, but with a pint of whisky and big black cigars they will see it through.

“After dinner in the bar, there is quite a gathering. It is nearing election. The strong voice of Judge Pitcher asserts, ‘As goes Spanishtown, so goes the county.’ A cheer goes up. The new name, Half Moon Bay, is yet strange to say.

…..To Be Continued….

“Coastland” by Galen Wolf (Part II) 1885

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“The horses strike up a trot. You feel the ride will be too soon over, a delusion that will fade as the mountains slow the journey to two hours, or three if the road is badly out. Then the passengers must perforce dismount. And walk. Or push. Or pluck pickets from a nearby fence and pry the suddenly stubborn wheels from one deep hole into another.

“The hills part. A gate in the canyon rises on either side. Men are working, clambering, sometimes rope-supported from above. ‘That’s Herman Schussler’s gang preparing for the new concrete dam. It will make a lake of the whole Spring Valley’.

“There is a short stop at Crystal Springs House. Ax men are setting up camps to clear the trees from the lake bed to be. The road soon mounts. The horses walk.

“The hills are green-grey with varied brush. The yellow flowers, the lupines, the primrose, wormwood and mimulus dust the slopes with gold. The sun draws rich odor from aromatic plants and from the yerba buena.

“Suddenly a breath of air comes cool to your face. The scent of the sea is on it. Refreshing and exciting,. You are nearing the top of the grade.

“Now the whole world slopes westward to the sea. Far down a canyon checkered with cultivation the sun picks up the white of houses and of a tall church.

“Bob Rawles has his foot on the brake, the leather hub shuches and squeaks. The horses break into a trot. The coach rocks and rolls.

“Nearly straight below you see the roofs and the golden pumpkin patches of Albrecht.

“Beyond this the canyon opens. ‘That’s where a bear treed old man Digges. He came ahead of the wagons. They had to ground brake them down the hill. No road then. Digges sat in an alder. The bear sat on the bank. Real patient. Till the wagons come. And someone shot him.’

“The road is proving good. It is summer, the stage rolls past the adobe of the Campbells. There the boy Eddie waves, and waits for his day on the driver’s seat to come.

“The next adobe is Fred Fillmore’s. You are nearing town. Here is the Catholic cemetery. Here is Gilchrist’s creamery. Ahead is the piled bridge that spans the Pilarcitos.

“On the right, the long, low adobe of the Vasquez family. Daturas bloom against its walls, and marguerites, yellow and white, crowd the yard.

“a horseman is quietly riding out on a golden pony. Only his white beard tells you he is not a youth. He is instead a centaur. He is Pablo Vaquez. Legend had many tales of him. Did he ride with Murieta? Who knows….

….To be continued…

Photo-courtesy San Mateo County History Museum. Visit the museum at the historic Redwood City Courthouse–or better, yet, become a member!

“Coastland” by Galen Wolf (Part I)

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“It is June and the year is 1885.

“The train you boarded at Third and Townsend Streets, San Francisco, has been running southerly, through meadows and marshes for nearly an hour. Now it is slowing. A few houses pass the window. The brakes grind.

“The conductor flings open the door and his shout runs the length of the car: ‘San Mateo!’ You are on your way to the coastland.

“As you step down, a few surprising vehicles meet the eye. Hitched to a well-chewed pole are dog-carts, jaunting carts, tallyho and tandem. The horses are bobbed roached and the harness silver trimmed. They tell of the playland of the millionaires, D.O. Mills, Flood, Crocker, Parrot and Wm. Ralston.

“Beyond these polished but effete conveyances looms a great Concord coach, utilitarian as a merchantman in a harbor of yachts. It is the ship of the West, tremendously traditional, almost mystic. And it will carry you to the land behind the mountains.

“Its bulging body is Indian red and striped with gold. A landscape is painted on scrolled panels on either door. Leather straps support it in place of springs, and it will rock and roll like a true ship in a sea.

“Today four horses draw it. Often there are six, and it has carried the unbelievable number of twenty eight passengers. They ride in three layers, a top-heavy shortcake of seating. In the coach itself, on the roof with legs dangling, and on a seat like a hatch on top.

“Bob Rawles sits on the high perch of the driver. The passengers gather about.

“Here is Loren Coburn of the Pescadero lands, crackers and cheese in his pockets. R.I. Knapp, short and bearded, back from his plow works in San Jose. A tall man, bearded like a patriarch, swings up. You recognize James Hatch.

“The vigorous form of Chas. Borden, pipe smoking , piles in. You ask about the redwood canyon he has acquired form the Lanes and about the progress of the mill.

“A bareheaded man with pale face and ample moustache collects the fare; Ferdinand Levy. It is one dollar to Half Moon, two dollars and a half to Pescadero.

“Rawles gathers the lines, cracks his whip. The coach rolls out of town, along a single street bordering the railroad tracks. It crosses the meandering red-rock roadway of Camino Real.

“Here stands a sign post. Some joker has shot a piece from it. Truncated, it read, “Moonbay and scadero”. Beyond, the green-grey hills rise.

…to be continued…

Photo: courtesy San Mateo County History Museum. Visit the museum at the historic Redwood City Courthouse in Redwood City.

1860 Shipwrecks & A Cemetery in the Sand Dunes, Part II-Conclusion (short version)

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As night fell, the crew believed they were 40 miles offshore–but soon discovered they were in the midst of crashing breakers. The “Coya” rammed a reef, rolled over and sank instantly.

Twenty-six of the passengers, including the crew, drowned. Two men and a boy managed to survive by clinging to a rock, then swam ashore for help.

Two years later in November, 1868, a combination of a steel gray sky, gusty, unpredictable winds and heavy seas blinded the ship “Hellespont” as she struggled up the coast carrying one thousand tons of coal.

Captain Soule, a native of Brooklyn, New York, mistakenly believed he was 20 miles off the coast when the “Hellespont” was engulfed by the breakers and crashed into the black reefs.

As the breakers swung the “Hellespont” around wildly, the ship split in half–and the main deck was carried out to sea.

Captain Soule and seven of his men perished. The rest of the crew reached help at the Portuguese whaling station at Pigeon Point.

The tragic loss of lives aboard the three vessels contributed to a popular, local movement seeking construction of a lighthouse at Pigeon Point, a project completed in 1872.

——————————————————-

The Cemetery in the Sand Dunes

In the summer of 2001 something white in the sand caught the eye of a hiker as he walked among the wind-eroded dunes near Point Ano Nuevo. There was something about it that made him start digging.

He quickly uncovered a shocking discovery that made him think violence had happened here: Murder.

For there, only inches beneath the sand in front of him, he later told the San Mateo County Sheriff’s Department, there was a skull.

Actually, the sheriff’s investigation would find there were many skulls there and many leg and arm and back and rib bones. Dozens of them. Enough to fill a cemetery.

And indeed, that’s what the hiker had found, a cemetery lost for decades among the shifting sand dunes.

While wrong about this being a murder scene, the hiker was right in surmising that these unfortunates had died violently and the clue was in the roaring of the surf that pounded the nearby beaches.

The sound of the surf is probably the last thing these poor souls heard and is precisely why most of them died.

These dead people had once strode the decks of sailing ships such as the “Sir John Franklin”, the “Coya” and the “Hellespont”.

All perished in the 1860s when their ships, blinded by the heavy fog, struck reefs between Pigeon Point and Ano Nuevo and sunk wuth heavy losses of life. The dead were buried side-by-side in a dunes area originally fenced off and marked with headstones.

The remains of ship’s officials were generally not found at these sites as relatives often claimed them for burial in family plots.

Overtime the strong winds disturbed the sand dune environment, exposing the cemetery site. the shipwreck victims had been buried in redwood coffins–but even this superior wood could not withstand the effect of the sometimes brutal weather and the coffins are now the consistency of wet cardboard.

When I last worked on this story, park rangers were working to stabilize this historical shipwreck gravesite so not to disturb the human remains. A pedestrian boardwalk was to be built with interpretive signs enabling the visitor to learn about the cemetery (and at the same time they will be advised of the laws against disturbing archaeological remains).